Smartwear Revolution Artist

Aynaz Raoufian

Artist Overview

Aynaz Raoufian is an interdisciplinary artist and PhD student in the Department of Medicine whose practice emerges from her experience as a caregiver to her sister during cancer treatment. Her work examines caregiving, memory, and the emotional weight that loss places on both the body and memory. Working across video, wearable sculptures, performances, and participatory installations, she explores how caregiving reshapes identity and how multilingual expression complicates—and sometimes protects—the act of remembering. Through interactive works and installations that create spaces for collective reflection, she considers the caregiver's body as a site of accumulation, a place where stories, emotions, and traces of care reside.

For the McMullen Gallery, Aynaz will present a video installation titled “this is the same line, under somebody else’s eyes.” The work captures the artist’s daily practice of drawing a white line under each of her eyes, an embodied record and act of preservation which she has performed every day since losing her sister to cancer.

Name

Aynaz Raoufian

Medium(s)

Performance, Video, Installation

Themes

Care giving, Memory and Cancer

The artist is sprawled across a long tapestry extended across the room, anchored to the walls. She recounts the caretaking of her sister through handwritten testimony while adorned in a pink sculptural garment.
Aynaz Raoufian, On the Language of Memory I, 2024-Present. Multi-channel installation and durational performance, FAB Gallery, University of Alberta.
A portrait of a woman against a bright, green background. Her face is obscured by a large pink tumor, she dons a hospital gown and radiation shield.
Aynaz Raoufian, Everyday Life with Cancer, 2022. Mixed media, 50 x 50 x 50 cm. Image Description: Supported by a verdant green hue, a beautiful woman stands poised donning a white medical gown and radiation shield, confronting us with a fearless gaze. However, her visage, a symbol of identity and personage has become altered by a large tumour with legs extending from the top of her head, across her mouth and around her throat. The bright pink and purple hues of the tumour leap out at us with threatening visual emphasis, and lay flat across the woman’s face as if she has been branded by the tumour. This work causes the viewer to think about how quickly someone’s identity can revolve around their illness, as if having cancer means you have a tumour stamped on your forehead at all times.
The artist sits against a white wall, legs bent, strangling herself with a piece of black sheer fabric, eyes closed, shadows of hanging paper intersect with the figure.
Aynaz Raoufian, mis(Benevolence), 2025. Multi-channel installation and durational performance, FAB Gallery, University of Alberta.

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